{"id":140,"date":"2015-02-13T16:45:20","date_gmt":"2015-02-13T16:45:20","guid":{"rendered":"http:\/\/guenter-berghaus.com\/?page_id=140"},"modified":"2019-07-24T08:49:59","modified_gmt":"2019-07-24T08:49:59","slug":"books","status":"publish","type":"page","link":"https:\/\/guenter-berghaus.com\/?page_id=140","title":{"rendered":"Books OLD DONT CHANGE"},"content":{"rendered":"<table border=\"1\" width=\"100%\" cellspacing=\"0\" cellpadding=\"4\">\n<colgroup>\n<col width=\"256*\" \/> <\/colgroup>\n<tbody>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<p lang=\"en-GB\" style=\"text-align: center;\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><b>PUBLICATIONS<br \/>\n<\/b><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<p class=\"western\" style=\"text-align: center;\">&#8211; click for images, tables of contents and further information &#8211;<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><b>Authored Books<\/b><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol>\n<li>\n<p class=\"western\"><a title=\"Revolutionspossen\" href=\"https:\/\/guenter-berghaus.com\/?page_id=146\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\"><i>J.N. Nestroys Revolutionspossen im Rahmen des Gesamtwerkes: Ein Beitrag zur Bestimmung von Nestroys Weltanschauung auf dem Hintergrund der \u00f6sterreichischen Sozialgeschichte des Vorm\u00e4rzes<\/i><\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">, Dr. Phil. Dissertation, Freie Universit\u00e4t Berlin, 1977. Berlin: Colmsee, 1977, pp. 374. [OCLC-No: 256537357]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"2\">\n<li>\n<p class=\"western\"><a title=\"Carolus Stuardus\" href=\"https:\/\/guenter-berghaus.com\/?page_id=174%20\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\"><i>Die Quellen zu Andreas Gryphius&#8216; Trauerspiel &#8222;Carolus Stuardus&#8220;: Studien zur Entstehung eines historisch-politischen M\u00e4rtyrerdramas der Barockzeit<\/i><\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">, T\u00fcbingen: Niemeyer, 1984, pp. 311. [ISBN 348418079X 9783484180796]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"3\">\n<li>\n<p class=\"western\"><a title=\"Englische Revolution\" href=\"https:\/\/guenter-berghaus.com\/?page_id=188\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\"><i>Die Aufnahme der Englischen Revolution in Deutschland 1640-1669: Studien zur politischen Literatur und Publizistik im 17. Jahrhundert mit einer Bibliographie der Flugschriften<\/i><\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">, Wiesbaden: Harrassowitz, 1989, pp. 464. [ISBN, 3447027711, 9783447027717]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"4\">\n<li>\n<p class=\"western\"><a title=\"Genesis of Futurism\" href=\"https:\/\/guenter-berghaus.com\/?page_id=198\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>The Genesis of Futurism: Marinetti&#8217;s Early Career and Writings, 1899-1909,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Leeds: Society for Italian Studies, 1995, pp. 99. [ISBN: 0952590107 \/ ISBN-13: 9780952590101<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"5\">\n<li>\n<p class=\"western\"><a title=\"Futurism and Politics\" href=\"https:\/\/guenter-berghaus.com\/?page_id=80\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, 1909-1944<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, Oxford: Berghahn Books, 1996, pp. 326. [ISBN <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">978-1-57181-867-6]<\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"6\">\n<li>\n<p class=\"western\"><a title=\"Italian Futurist Theatre\" href=\"https:\/\/guenter-berghaus.com\/?page_id=218\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Italian Futurist Theatre<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>1909-1944, <\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">Oxford: Clarendon Press, 1998, pp. 596. [ISBN: 019815898X; ISBN-13: 9780198158981<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"en-GB\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"7\">\n<li>\n<p class=\"western\"><a title=\"Avant-garde Performance\" href=\"https:\/\/guenter-berghaus.com\/?page_id=244\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Avant-garde Performance: Live Events and Electronic Technologies,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> London: Palgrave Macmillan, 2005, pp. 374 [ISBN 1-4039-4645-0<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"en-GB\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"8\">\n<li>\n<p class=\"western\"><a title=\"Historical Avant-garde\" href=\"https:\/\/guenter-berghaus.com\/?page_id=232\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Theatre, Performance and the Historical Avant-garde,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> New York: Palgrave Macmillan, 2005, pp. 374 [ISBN <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">1-4039-6955-8<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"en-GB\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><b>Edited Books:<\/b><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"9\">\n<li>\n<p class=\"western\"><a title=\"Theatre and Film in Exile\" href=\"https:\/\/guenter-berghaus.com\/?page_id=254\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Theatre and Film in Exile: German Artists in Britain, 1933-1945<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, Oxford: Berg Publishers, 1989, pp. 275. [ISBN, 0854960252, 9780854960255<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"10\">\n<li>\n<p class=\"western\"><a title=\"Fascism and Theatre\" href=\"https:\/\/guenter-berghaus.com\/?page_id=266\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Fascism and Theatre: Comparative Studies on the Politics and Aesthetics of Performance in Europe, 1925-1945<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, Oxford: Berghahn Books, 1996, pp. 315. [ISBN, 0854960252, 9780854960255<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"11\">\n<li>\n<p class=\"western\"><a title=\"On Ritual\" href=\"https:\/\/guenter-berghaus.com\/?page_id=277\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>On Ritual<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> (Special issue of <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Performance Research<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, Winter 1998), London: Routledge, 1998, pp. 136. ISBN-13: 9780415182034. [ISBN-10: 0415182034<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"12\">\n<li>\n<p class=\"western\"><a title=\"International Futurism\" href=\"https:\/\/guenter-berghaus.com\/?page_id=287\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International Futurism in Arts and Literature<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, New York\/Berlin: De Gruyter, 2000, pp. 648. [ISBN, 3110156814, 9783110156812<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"13\">\n<li>\n<p class=\"western\"><a title=\"New Approaches\" href=\"https:\/\/guenter-berghaus.com\/?page_id=299\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>New Approaches to Theatre Studies and Performance Analysis,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> T\u00fcbingen: Niemeyer, 2001, pp. 282 ISBN 3484660333<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"en-GB\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"14\">\n<li>\n<p class=\"western\"><a title=\"Prehistoric Art\" href=\"https:\/\/guenter-berghaus.com\/?page_id=313%20\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>New Perspectives on Prehistoric Art<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, Westport, CT: Praeger, 2004, pp. 265. [ISBN-10: 0275978133; ISBN-13: 978-0275978136<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"15\">\n<li>\n<p class=\"western\"><a title=\"Critical Writins\" href=\"https:\/\/guenter-berghaus.com\/?page_id=327\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>F. T. Marinetti: Critical Writings<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">, New York: Farrar, Straus and Giroux, 2006, pp. 554. [ISBN 0-374-26083-4<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"16\">\n<li>\n<p class=\"western\"><a title=\"Technological Imagination\" href=\"https:\/\/guenter-berghaus.com\/?page_id=341\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Futurism and the Technological Imagination<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">. Amsterdam &amp; New York: Rodopi, 2009. pp. 394. In: [ISBN 978-90-420-2747-3<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"17\">\n<li>\n<p class=\"western\"><a title=\"Necesidad\" href=\"https:\/\/guenter-berghaus.com\/?page_id=353\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">F.T. Marinetti: <\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"><i>Necesidad y belleza de la violencia<\/i><\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">. Edici\u00f3n e introducci\u00f3n de G\u00fcnter Berghaus. Traducci\u00f3n de Juan Jos\u00e9 G\u00f3mez. <\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">Sevilla: Editorial Doble J, 2010. pp. 82. [ISBN 978-84-96875-95-1<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/a><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"18\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Futurism in Eastern and Central Europe<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">. Special issue of <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International<\/i><\/span><\/span> <span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Yearbook of Futurism Studies,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Vol. 1. Berlin\/New York: Walter de Gruyter, 2011. pp. 497. [ISBN 978-3-11-023776-4<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"19\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International<\/i><\/span><\/span> <span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Yearbook of Futurism Studies,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Vol. 2. Open Issue. Berlin &amp; New York: Walter de Gruyter, 2012. pp. 520. [ISSN: 2192-0281<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"20\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Futurism on the Iberian Peninsula<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">. Special issue of <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International<\/i><\/span><\/span> <span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Yearbook of Futurism Studies,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Vol. 3. Berlin &amp; Boston: Walter de Gruyter, 2013. pp. 532. [ISSN: 2192-0281<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"21\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International Yearbook of Futurism Studies,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Vol. 4. Open Issue. Berlin &amp; Boston: Walter de Gruyter, 2014. pp. 619. [ISBN: 978-3-11-033400-5<\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">]<\/span><\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"22\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Women Artists and Futurism<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">. Special issue of <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International Yearbook of Futurism Studies,<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Vol. 5. Berlin &amp; Boston: Walter de Gruyter, 2015. pp. 680. [ISBN: 978-3-11-040850-8]<\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"23\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International Yearbook of Futurism Studies. Vol. 6 <\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">Berlin\/New York: Walter de Gruyter, 2016. pp. 576. ISBN 978-3-11-046253-1<\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"24\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"> Futurism in Latin America. Special issue of International Yearbook of Futurism Studies. Vol. 7. Berlin\/Boston: Walter de Gruyter, 2017. pp. XLII, 528. [ISBN 978-3-11-052688-2] <\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ol start=\"25\">\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">International Yearbook of Futurism Studies. Vol. 8. Berlin\/ Boston: Walter de Gruyter, 2018. pp. XX+531 [978-3-11-057463-0]<\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><b>Books accepted for publication:<\/b><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ul>\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>Handbook of International Futurism, 1909-1945<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">. Berlin &amp; Boston: Walter de Gruyter, 2018. pp. c.800. [ISBN: 978-3-11-027347-2]<\/span><\/span><\/p>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"TOP\" width=\"100%\">\n<ul>\n<li>\n<p class=\"western\"><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><i>International Futurism 1945-2015: A Bibliographic Handbook<\/i><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">. <\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\"><span lang=\"de-DE\">Berlin &amp; Boston: Walter de Gruyter, 2020. <\/span><\/span><\/span><span style=\"font-family: Lucida Sans Unicode,sans-serif;\"><span style=\"font-size: small;\">2 vols. pp. c.1,600. [ISBN 978-3-11-021580-9] <\/span><\/span><\/p>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>PUBLICATIONS &#8211; click for images, tables of contents and further information &#8211; Authored Books J.N. Nestroys Revolutionspossen im Rahmen des Gesamtwerkes: Ein Beitrag zur Bestimmung von Nestroys Weltanschauung auf dem Hintergrund der \u00f6sterreichischen Sozialgeschichte des Vorm\u00e4rzes, Dr. Phil. Dissertation, Freie Universit\u00e4t Berlin, 1977. Berlin: Colmsee, 1977, pp. 374. [OCLC-No: 256537357] Die Quellen zu Andreas Gryphius&#8216; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-140","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=\/wp\/v2\/pages\/140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=140"}],"version-history":[{"count":38,"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=\/wp\/v2\/pages\/140\/revisions"}],"predecessor-version":[{"id":1555,"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=\/wp\/v2\/pages\/140\/revisions\/1555"}],"wp:attachment":[{"href":"https:\/\/guenter-berghaus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}